jammie holmes:
EVERYTHING HURTS.
Featuring documentation from a public demonstration initiated by Dallas-based artist Jammie Holmes on 30 May 2020, Jammie Holmes: EVERYTHING HURTS. is presented to amplify and build upon the artist’s response to the recent murder of George Floyd.
On 30 May 2020, airplanes with banners presenting Floyd’s final words extended across five cities, between the hours of 1130 and 2100 EDT. The messages connected cities across the United States to protesters across the country, demanding the end of police brutality against the African American community. The airplanes flew over Detroit, Miami, Dallas, Los Angeles and New York City. In Detroit the text read “Please I Can’t Breathe.” In Miami “My Stomach Hurts.” In Dallas “My Neck Hurts.” In Los Angeles “Everything Hurts.” and in New York “They’re Going To Kill Me.”
As a contemporary arts institution that grapples with complex issues of our time in one of the fastest growing metroplexes in our nation, Dallas Contemporary firmly believes in the power of artists' ideas and voices to chronicle and transform society. The exhibition is supported by Detroit-based gallery Library Street Collective.
project documentation
artist
statement
“This presentation is an act of social conscience and protest meant to bring people together in their shared incense at the inhumane treatment of American citizens. The deployment of Floyd’s last words in parts of its whole across the country underlines a need for unity and the conviction that what happened to George Floyd is happening all over America. An enduring culture of fear and hateful discrimination has only increased in its intensity since 2018, and a critical mass will no longer allow it to be ignored.
With this demonstration, I hope that people across the United States will use the outlets available to them to continue to demand change. The use of sky media to recount Floyd’s final words presents a contrast to the noise of digital media and employs a form of communication that is most often used by the privileged to announce sporting events, marriage proposals, or promote consumption. It is rarely used for political or social purposes - to exercise free speech - because it is an outlet unavailable to the poor and marginalized. I hope that people will be reminded of the power we can have to be heard and that coming together behind a unified message is key for real change.
Like countless silenced and fearful young black men, I have been the victim of police misconduct on a number of occasions in my life. At some point, they will realize they can’t kill us all.
I hope that people across the United States will use the outlets available to them to continue to demand change. Please sign petitions to support the families of the latest victims in their pursuit of justice, and donate what you can.“ - Jammie Holmes
meet the artist
Jammie Holmes is a self-taught painter from Thibodaux, Louisiana, whose work tells the story of contemporary life for many black families in the Deep South. Through portraiture and tableaux, Holmes depicts stories of the celebrations and struggles of everyday life, with particular attention paid to a profound sense of place. Growing up 20 minutes from the Mississippi River, Holmes was surrounded by the social and economic consequences of America’s dark past, situated within a deep pocket of the Sun Belt, where reminders of slavery exist alongside labor union conflicts that have fluctuated in intensity since the Thibodaux Massacre of 1887. His work is a counterpoint to the romantic mythology of Louisiana as a hub of charming hospitality, an idea that has perpetuated in order to hide the deep scars of poverty and racism that have structured life in the state for centuries.
Despite the circumstances of its setting, Holmes’ work is characterized by the moments he captures where family, ritual and tradition are celebrated. His presentation of simple moments of togetherness and joy within the black population that nurtures the culture of Louisiana has made him an advocate for this community. Holmes’ paintings fall somewhere between realistic depiction and raw abstraction, incorporating text, symbols and objects rendered in an uncut style that mirrors a short transition from memory to canvas. He often references photographs from home, but also draws heavily on his own recollection of moments and scenes and works quickly to translate his emotions to paint.
Earlier this year Holmes was in conversation with Dallas Contemporary’s Curatorial Associate, Emily Edwards. You may see the interview here.
Video by Quin Mathews.
growing up in darkness
These two works are part of an ongoing series that feature black youth and their experiences from childhood. For Jammie Holmes these works represent the feeling that he was never “raised,” things in life were never explained to the artist, his education was from experiences. Looking back on his schooling, he now knows that his all Black school had different methods of teaching and discipline than those with a White majority classroom. These works reflect on how his youth, and the childhood experiences for many in the Black community, would have been shaped differently if they had been born White.
in the clouds
Our education department has created this line drawing with the aim of engaging you and your little ones with the project. we invite you to color in + share what messages you’d like to see written in the sky.
If you’d like to share your drawings with us and be featured on our page we invite you to email them to info@dallascontemporary.org with the subject line “in the clouds” or send them to us via DM at @dallascontemporary.
Stay tuned for more activities coming soon!
from artist to artist
An anonymous artist working in Lebanon created this piece in response to Jammie Holmes’ aerial demonstration. Kindly note the following video contains sensitive audio.
your responses
A space to share your reactions, responses and sentiments.
#everythinghurts #jammieholmes
conversation series
We are proud to present a series of (remote) public programming and town halls aimed at identifying next steps for Dallas to address and dismantle the systemic racism present throughout its cultural institutions and justice system.
looking forward: art + change in dallas
On 8 July 2020, Dallas Contemporary hosted a discussion on the role Dallas’ cultural institutions need to play in dismantling racism, moderated by artist, poet and cultural organizer Darryl Ratcliff. The panel featured arts professionals and philanthropists including the executive director of The Arts Community Alliance Terry Loftis, public artist J.D. Moore, and Dallas Museum of Art’s Nancy and Tim Hanley Assistant Curator of Contemporary Art, Vivian Crockett. Together, this panel considered how the arts community can amend its complicity in systemic racism, while envisioning a more inclusive future for the arts in Dallas.
looking forward: change through the creative lens
A conversation from 22 July 2020 on the important work creatives in the DFW area are doing to promote change, accountability and justice in Dallas. Moderated by Sheryl Adkins-Green, Chief Marketing Officer at Mary Kay Cosmetics, the panel will feature Dr. Lauren Cross, artist, creative entrepreneur and scholar, Keite Young, performer, songwriter, producer, and member of Medicine Man Revival, and Charles Smith II, fashion designer, Owner & Founder Creative Director at SMITH II & DO NOT TOUCH.
let’s take action
Together with Jammie Holmes and the artist’s gallery, Library Street Collective, Dallas Contemporary encourages you to consider enacting change by signing petitions and donating at the below links, selected by the artist.
black owned businesses in dallas
Millions of americans continue to come together in protest to fight racial injustices and police brutality. Along with signing petitions and donating to causes here is another way to support — we invite you to get to know some of DFW’s black owned business + hope that like us, you will visit them soon. These lists were compiled by Dallas Contemporary Renaissance Intern Elizabeth Hill.